IRON MAIDEN - POWERSLAVE (1984)








Powerslave é o quinto álbum de estúdio da banda inglesa de Heavy Metal Iron Maiden.  Lançado em 3 de Setembro de 1984, foi produzido por Martin Birch (que trabalhou com Black Sabbath, Deep Purple, Rainbow, entre outros) e gravado no famoso Compass Point Studios, em Nassau, nas Bahamas.






Além da temática do antigo Egito, o álbum traz grandes clássicos da banda. “2 Minutes To Midnight” é presença garantida em praticamente todos os shows da banda após o lançamento do álbum. Outra clássica é “Aces High”, a qual é precedida pelo famoso discurso de Winston Churchill "We shall fight on the beaches", quando executada ao vivo. A música trata das batalhas aéreas travadas durante a segunda guerra mundial entre a RAF (Reino Unido) e a Luftwaffe (Nazista).





Além dessas, Powerslave traz a épica canção com mais de 13 minutos, “Rime Of The Ancient Mariner”, baseada no poema de mesmo nome de Samuel Taylor Coleridge. A canção era executada na íntegra na turnê que se seguiu ao lançamento do álbum, a famosa “World Slavery Tour”.





Esta turnê é tida pela própria banda como a mais “massacrante” que o Maiden já realizou. Ela começou em agosto de 84 e terminou em julho de 1985. É de alguns shows nos Estados Unidos e em Londres que foram retiradas as gravações do também clássico álbum ao vivo “Live After Death”. Foram 193 shows em 331 dias. Em 2008, Steve Harris chegou a afirmar em entrevistas que o ritmo massacrante de shows quase acabou com a banda. Foi durante a turnê que o Iron Maiden veio pela primeira vez ao Brasil, apresentando-se no Rock In Rio original.



Formação:

Bruce Dickinson - Vocal

Steve Harris - Baixo

Adrian Smith - Guitarra

Dave Murray - Guitarra

Nicko McBrain - Bateria



Faixas:



01 - ACES HIGH (S. Harris)






There goes the siren that warns of the air raid


Then comes the sound of the guns sending flak


Out for the scramble, we've got to get airborne


Got to get up for the coming attack





Jump in the cockpit and start up the engines


Remove all the wheelblocks, there's no time to waste


Gathering speed as we head down the runway


Got to get airborne before it's too late





Running, scrambling, flying


Rolling, turning, diving


Going in again


Running, scrambling, flying


Rolling, turning, diving





Run,


Live to fly, fly to live, do or die


Won't you


Run, live to fly, fly to live


Aces high





Move in to fire at the mainstream of bombers


Let off a sharp burst and then turn away


Roll over, spin round to come in behind them


Move to their blindsides and firing again





Bandits at 8 o'clock are moving behind us


Ten ME-109's out of the sun


Ascending and turning, our spitfires to face them

Heading straight for them I press down my guns











02 - 2 MINUTES TO MIDNIGHT (A. Smith/ B. Dickinson)








Kill for gain or shoot to maim

But we don't need a reason


The Golden Goose is on the loose


And never out of season.


Blackened pride still burns inside


This shell of bloody treason


Here's my gun for a barrel of fun


For the love of living death.






The killer's breed or the Demon's seed,


The glamour, the fortune, the pain,


Go to war again, blood is freedom's stain,


Don't you pray for my soul anymore.






2 minutes to midnight,


The hands that threaten doom.


2 minutes to midnight,


To kill the unborn in the womb.






The blind men shout let the creatures out


We'll show the unbelievers,


The Napalm screams of human flames


Of a prime time Belsen feast...YEAH!


As the reasons for the carnage cut their meat


and lick the gravy,


We oil the jaws of the war machine


and feed it with our babies.










The body bags and little rags of children


torn in two,


And the jellied brains of those who remain


to put the finger right on you


As the madmen play on words and make us all


dance to their song,


To the tune of starving millions


to make a better kind of gun.






The killer's breed or the Demon's seed,


The glamour, the fortune, the pain,


Go to war again, blood is freedom's stain,


Don't you pray for my soul anymore.






Midnight...Midnight...Midnight...is all night












03 - LOSFER WORDS (BIG' ORRA) -  (S. Harris)






Instrumental












04 - FLASH OF THE BLADE (B. Dickinson)








As a young boy chasing Dragons


with your wooden sword so mighty.


You're St. George or you're David and you always


killed the beast.


Times change very quickly,


And you had to grow up early,


A house in smoking ruins and the bodies


at your feet.






You'll die as you lived


In the flash of a blade,


In a corner forgotten by no-one.


You lived for the touch


For the feel of the steel,


One man, and his Honour.






The smell of resined leather


The steely iron mask


As you cut and thrust and parried at the


fencing master's call.


He taught you all he never knew


To fear no mortal man


And now you'll wreak your vengeance in the


Screams of evil men.












05 - THE DUELLISTS (S. Harris)








He threw down the glove you made the mistake


Of picking it up now you're gone


The choosing of guns or fighting with swords


The choice of weapons is done


He'll tear you apart as soon as you start


You know you don't have a chance.






OH...OH...Fight for the Honour


Fight for the Splendour


 Fight for the Pleasure


OH...OH...Fight for the Honour


Fight for the Splendour


Fight for your Life!






Ready to start the duel begins


the best man wins in the end.


A lunge and a feint, a parry too late


A cut to the chest and you're down


Seeing the stain then feeling the pain


Feeling the sweat on your brow.






The fighting resumes, a silence looms the


Swordsmen move 'gainst each other


A cut and a thrust, a parry, a blow,


a stab to the heart and you're down


The Angel of Death hears your last breath


Meanwhile the reaper looks on.






Fought for the Splendour

Fought to the Death














06 - BACK IN THE VILLAGE - (A. Smith/ B. Dickinson)








Turn the spotlights on the people,


Switch the dial and eat the worm,


Take your chances, kill the engine,


Drop your bombs and let it burn.





White flags shot to ribbons,


The truce is black and burned,


Shellshock in the kitchen,


Tables overturned.





Back in the village again,


In the village,


I'm back in the village again.





Throwing dice now, rolling loaded,


I see sixes all the way.


In a black hole, and I'm spinning


As my wings get shot away.





Questions are a burden


And answers are a prison for oneself


Shellshock in the kitchen


Tables start to burn.





No breaks on the inside,


Paper cats and burning barns,


Theres a fox among the chickens,


And a killer in the hounds.





Questions are a burden


And answers are a prison for oneself


Shellshock in the kitchen


Tables start to burn.





But still we walk into the valley


And others try to kill the inner flame


We're burning brighter than before

I don't have a number, I'M A NAME!
























07 - POWERSLAVE (B. Dickinson)









Into the Abyss I'll fall-the eye of Horus


Into the eyes of the night-watching me go


Green is the cat's eye that glows-


in this Temple


Enter the risen Osiris-risen again.





Tell me why I had to be a Powerslave


I don't wanna die, I'm a God,


why can't I live on?


When the Life Giver dies,


all around is laid to waste.


And in my last hour,


I'm a slave to the Power of Death.





When I was living this lie-Fear was my game


People would worship and fall-


drop to their knees.


So bring me the blood and red wine


for the one to succeed me,


for he is a man and a God-


and He will die too.





Now I am cold but a ghost lives in my veins,


Silent the terror that reigned-


marbled in stone.


A shell of a man God preserved-


a thousand ages,


But open the gates of my Hell-

I will strike from the grave.












08 - RIME OF THE ANCIENT MARINER (S. Harris)










Hear the rime of the Ancient Mariner




See his eyes as he stops one of three


Mesmerizes of one of the wedding guests


"Stay here and listen to the nightmares


of the sea!"






And the music plays on, as the bride passes by


Caught by his spell, and the Mariner tells his tale






Driven south to the land of the snow and ice


To a place where nobody's been


Through the snow fog flies on the albatross


Hailed in God's name, hoping good luck it brings






And the ship sails on, back to the north


Through the fog and ice and the albatross follows on...






The mariner kills the bird of good omen


His shipmates cry against what he's done


But when the fog clears, they justify him


And make themselves a part of the crime






Sailing on and on and North across the sea


Sailing on and on and North 'til all is calm






The albatross begins with its vengeance


A terrible curse, a thirst has begun


His shipmates blame bad luck on the Mariner


About his neck, the dead bird is hung






And the curse goes on and on and on at sea


And the thirst goes on and on for them and me...






Day after day, day after day


We stuck nor breath nor motion


As idle as a painted ship upon a painted ocean


Water, water, everywhere, and all the boards did shrink


Water, water, everywhere, not any drop to drink!






"There", calls the Mariner


"There comes a ship over the line!"


"But how can she sail with no


Wind in her sails and no tide?"


See... onward she comes


Onward she nears, out of the sun


See... she has no crew


She has no life! "Wait but there's two!"






Death, and she life in Death


They throw their dice for the crew


She wins the Mariner


And he belongs to her now


Then, crew one by one


They drop down dead, two hundred men


She... she, Life in Death


She lets him live, her chosen one...






"One after one, by the star dogged moo,


Too quick for groan or sigh


Each turned his face, with a ghastly pang


And cursed me with his eye


Four times fifty living men


And I heard nor sigh nor groan


With heavy thump, a lifeless lump


They dropped down, one by one..."






The curse, it lives on in their eyes


The Mariner, he wished he'd die


Along with the sea creatres


But they lived on, so did he






And by the light of the moon


He prays for their beauty, not doom


With heart he blesses them


God's creatures, all of them too






Then, the spell starts to break


The albatross falls from his neck


Sinks down like lead, into the sea


Then down in falls, comes the rain...






Hear the groans of the long dead seamen


See them stir and they start to rise


Bodies lifted by good spirits


None of them speak, and they're lifeless in their eyes






And revenge is still sought, penance starts again


Cast into a trance and the nightmare carries on






Now the curse is finally lifted


And the Mariner sights his home


Spirits go from the long dead bodies


Form their own light and the Mariner's left alone






And then a boat came sailing towards him


It was a joy, he could not believe


The pilots boat, his son and the hermit.


Penance of life will fall onto him






And the ship, it sinks, like lead, into the sea


And the hermit shrieves the Mariner of his sins






The Mariner's bound to tell of his story


To tell his tale wherever he goes


To teach God's word by his own example


That we must love all things that God made






And the wedding guest's a sad and wiser man


And the tale goes on and on and on...
















Comentários

  1. O blog certo para quem é fã do bom e velho rock !
    Super recomendado..!

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  2. Powerslave é o álbum que eu considero o melhor de toda a carreira do Iron Maiden, não que o supermanjado e polêmico The Number of the Beast (1982) mereça tal tratamento, mas este é mil vezes melhor. Foi o álbum que me apresentou a banda (antes eu não gostava deles) após ler várias resenhas sobre ele, um fato curioso é que a turnê deste disco trouxe o grupo para a primeira edição do Rock in Rio em 1985, um ano após o lançamento deste petardão musical.

    Foi a maior turnê até hoje feita pela banda e seus shows arrastavam multidões por onde eles passavam. Sobre este disco em questão, eu não vejo nenhum ponto fraco nele, mas vejo o Iron Maiden num estado de graça que poucas bandas de qualquer época conseguiram alcançar. Além das faixas iniciais “Aces High” e “2 Minutes to Midnight” que se tornaram singles e videoclipes para a TV em função de promover o disco, destaco também as duas faixas finais: “Powerslave” e “Rime of the Ancient Mariner”.

    Ambas estas quatro faixas estão presentes nos shows da banda e uma amostra de sua popularidade está no ótimo documentário Flight 666 (2009), baseado nas várias apresentações ao vivo em vários locais do mundo durante a primeira parte da Somewhere Back in Time World Tour, que os levou a percorrer setenta mil quilômetros ao redor de cinco continentes, totalizando 23 apresentações em apenas 45 dias, entre Fevereiro e Março de 2008.

    Me desculpe se me estendi demais, mas isto serviu para arredondar mais o meu comentário sobre este que é um dos meus 10 álbuns britânicos que eu levaria para uma ilha deserta (com algumas menções honrosas).

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    Respostas
    1. Mas pelo menos o que eu comentei aqui sobre o disco fez muito sentido, não é mesmo?

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    2. Claro, comentário muito pertinente. Acho Powerslave um álbum soberbo, daquele em que cada detalhe foi pensado de modo a contribuir com sua grandeza.

      Eu fui ao show da Somewhere Back in Time World Tour no mineirinho. Tirando a "antiacústica" do ginásio, foi um momento inesquecível. Infelizmente, não pude ir a este último show deles agora em 2016.

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    3. Calma meu amigo, vamos aguardar cenas dos próximos capítulos, hehehehehe...

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